Pearson’s Study in Gray—a portrait of his wife, Emily Fetter—pays homage to artist James Abbott McNeill Whistler’s famous portrait of his mother, Arrangement in Gray and Black No 1 (1871). Through their titles, the artists bring attention to the formal and expressive properties of color as a unifying factor in their paintings.
After Emily’s death in 1948, Pearson married fellow artist Alice Kent Stoddard; both were dedicated volunteers at Woodmere.






![[female nude]](https://cdn.prod.website-files.com/68961b6b3189b29172d19dc9/691b2046a68e816ad39212da_Hubbard_2011.92.28_WEB-1.avif)



![[Pleading Archetype]](https://cdn.prod.website-files.com/68961b6b3189b29172d19dc9/691b1be6eb8d3e39cc7c63d4_Feinstein_2011.27.2_WEB-1.avif)
