Home
/
ART
/
The Violet Oakley Experience
/
People
/
Buckley, Daniel

Buckley, Daniel

Works in Woodmere's Collection

Study for "Il Convito," The Banquet: Edith Emerson as the page "Giovanni" [with Mary Nixon and Daniel Buckley at right in outline], Celebrating Completion of Seven Panels for the Senate Chamber mural series, the State Capitol, Harrisburg
Study for "Il Convito," The Banquet: Edith Emerson as the page "Giovanni" [with Mary Nixon and Daniel Buckley at right in outline], Celebrating Completion of Seven Panels for the Senate Chamber mural series, the State Capitol, Harrisburg
Study for "Il Convito," The Banquet: Edith Emerson as the page "Giovanni" [with Mary Nixon and Daniel Buckley at right in outline], Celebrating Completion of Seven Panels for the Senate Chamber mural series, the State Capitol, Harrisburg
Study for "Il Convito," The Banquet [Edith Emerson and Alex de Tarnowski in outline at left, and Mary Nixon and Daniel Buckley at right], Celebrating Completion of Seven Panels for the Senate Chamber mural series, the State Capitol, Harrisburg
Study for "Il Convito," The Banquet [Edith Emerson and Alex de Tarnowski in outline at left, and Mary Nixon and Daniel Buckley at right], Celebrating Completion of Seven Panels for the Senate Chamber mural series, the State Capitol, Harrisburg
Study for "Il Convito," The Banquet [Edith Emerson and Alex de Tarnowski in outline at left, and Mary Nixon and Daniel Buckley at right], Celebrating Completion of Seven Panels for the Senate Chamber mural series, the State Capitol, Harrisburg

Related Commissions and Projects

No items found.

The Violet Oakley Experience is funded by a generous grant from the Henry Luce Foundation.
For her expertise and scholarship on The Violet Oakley Experience, Woodmere thanks Patricia Likos Ricci. The foremost authority on Oakley, she is the Director of the Department of Fine Arts, Associate Professor of the History of Art, and a member of the Women and Gender Studies faculty at Elizabethtown College.
Woodmere’s website infrastructure and the digitization of the Museum’s collection are made possible by the generous support of Lisa Kabnick and John McFadden.