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The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications]
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Mock-up of Plate XVIII, Colour-plates in the Painting in the Senate Chamber for The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications, 1922]
Mock-up of Plate XVIII, Colour-plates in the Painting in the Senate Chamber for The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications, 1922]

Mock-up of Plate XVIII, Colour-plates in the Painting in the Senate Chamber for The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications, 1922]

The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications]
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Object Details

Title:
Mock-up of Plate XVIII, Colour-plates in the Painting in the Senate Chamber for The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications, 1922]
Date:
c. 1922
Artist:
Medium:
Color reproduction (lithograph) handpainted with gold leaf and ink on gold leaf paper mounted on cream paper with guidelines in graphite
Dimensions
13 x 19 3/4 in.
Classification
Books
Credit Line:
Gift of the Pennsylvania Academy of the Fine Arts, 2015
Description

[bottom left corner in graphite]: Plate XVII

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The Violet Oakley Experience is funded by a generous grant from the Henry Luce Foundation.
For her expertise and scholarship on The Violet Oakley Experience, Woodmere thanks Patricia Likos Ricci. The foremost authority on Oakley, she is the Director of the Department of Fine Arts, Associate Professor of the History of Art, and a member of the Women and Gender Studies faculty at Elizabethtown College.
Woodmere’s website infrastructure and the digitization of the Museum’s collection are made possible by the generous support of Lisa Kabnick and John McFadden.