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The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications]
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Mock-up of Plate XXII, Colour-plates in the Painting in the Senate Chamber for The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications, 1922] [open]
Mock-up of Plate XXII, Colour-plates in the Painting in the Senate Chamber for The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications, 1922] [open]

Mock-up of Plate XXII, Colour-plates in the Painting in the Senate Chamber for The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications, 1922] [open]

The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications]
,

Object Details

Title:
Mock-up of Plate XXII, Colour-plates in the Painting in the Senate Chamber for The Holy Experiment: A Message to the World from Pennsylvania [Philadelphia: Cogslea Studio Publications, 1922] [open]
Date:
c. 1922
Artist:
Medium:
0
Dimensions
0
Classification
Books
Credit Line:
Gift of the Pennsylvania Academy of the Fine Arts, 2015
Description

With the side panels opened, all the figures flanking Unity are revealed.

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The Violet Oakley Experience is funded by a generous grant from the Henry Luce Foundation.
For her expertise and scholarship on The Violet Oakley Experience, Woodmere thanks Patricia Likos Ricci. The foremost authority on Oakley, she is the Director of the Department of Fine Arts, Associate Professor of the History of Art, and a member of the Women and Gender Studies faculty at Elizabethtown College.
Woodmere’s website infrastructure and the digitization of the Museum’s collection are made possible by the generous support of Lisa Kabnick and John McFadden.