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"Christ Stilling the Storm" World War II Portable Altarpiece aka "Christ Stilling the Waves" aka "Christ and the Sea"
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Study for "Christ Stilling the Storm" World War II portable altarpiece, for USS Seattle; USS Langley; USS Massachusetts; USS Piedmont; and United States Merchant Marine Academy
Study for "Christ Stilling the Storm" World War II portable altarpiece, for USS Seattle; USS Langley; USS Massachusetts; USS Piedmont; and United States Merchant Marine Academy

Study for "Christ Stilling the Storm" World War II portable altarpiece, for USS Seattle; USS Langley; USS Massachusetts; USS Piedmont; and United States Merchant Marine Academy

"Christ Stilling the Storm" World War II Portable Altarpiece aka "Christ Stilling the Waves" aka "Christ and the Sea"
,
USS Seattle, Training Ship, 52nd St., NYC; USS Langley; USS Massachusetts; USS Piedmont; United States Merchant Marine Academy, Kings Point, New York

Object Details

Title:
Study for "Christ Stilling the Storm" World War II portable altarpiece, for USS Seattle; USS Langley; USS Massachusetts; USS Piedmont; and United States Merchant Marine Academy
Date:
1942–44
Artist:
Medium:
Graphite on paper
Dimensions
11 x 8 1/2 in.
Classification
No items found.
Credit Line:
Gift of the Pennsylvania Academy of Fine Arts, 2015
Description

(verso, in graphite: [Text combines passages from both the Old and New Testaments; namely, Deuteronomy 6, 1 Kings 17, and Matthew 3; character counts and other markings]This is a study for inscriptions. "Christ Stilling the Storm" is also known as "Christ Stilling the Waves" and "Christ and the Sea."

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The Violet Oakley Experience is funded by a generous grant from the Henry Luce Foundation.
For her expertise and scholarship on The Violet Oakley Experience, Woodmere thanks Patricia Likos Ricci. The foremost authority on Oakley, she is the Director of the Department of Fine Arts, Associate Professor of the History of Art, and a member of the Women and Gender Studies faculty at Elizabethtown College.
Woodmere’s website infrastructure and the digitization of the Museum’s collection are made possible by the generous support of Lisa Kabnick and John McFadden.