Home
/
art
/
the violet oakley experience
/
The Church
/
"Widow of Nain" World War II Portable Altarpiece aka "The Compassionate Christ: Symbol of Reunion" aka "Reunion of Mother and Son"
/
Study for inscription, "Widow of Nain" World War II portable altarpiece, for Norfolk Naval Hospital (US Naval Hospital Portsmouth, VA); Halloran Hospital, Staten Island, NY; Kennedy General Hospital, Memphis, TN
Study for inscription, "Widow of Nain" World War II portable altarpiece, for Norfolk Naval Hospital (US Naval Hospital Portsmouth, VA); Halloran Hospital, Staten Island, NY; Kennedy General Hospital, Memphis, TN

Study for inscription, "Widow of Nain" World War II portable altarpiece, for Norfolk Naval Hospital (US Naval Hospital Portsmouth, VA); Halloran Hospital, Staten Island, NY; Kennedy General Hospital, Memphis, TN

"Widow of Nain" World War II Portable Altarpiece aka "The Compassionate Christ: Symbol of Reunion" aka "Reunion of Mother and Son"
,
Norfolk Naval Hospital (US Naval Hospital Portsmouth, VA); Halloran Hospital, Staten Island, NY; Kennedy General Hospital, Memphis, TN

Object Details

Title:
Study for inscription, "Widow of Nain" World War II portable altarpiece, for Norfolk Naval Hospital (US Naval Hospital Portsmouth, VA); Halloran Hospital, Staten Island, NY; Kennedy General Hospital, Memphis, TN
Date:
c. 1943
Artist:
Medium:
Graphite on paper
Dimensions
8 1/2 x 11 in.
Classification
No items found.
Credit Line:
Gift of the Pennsylvania Academy of Fine Arts, 2015
Description

[in graphite]: Donor 20 / Catherine Thomas Fox / Norfolk Naval Hospital 22 / Portsmouth Virginia 19 / The / Citizens Committee 18 / For the Army & Navy 19 / IncThe "Widow of Nain" is also known as "The Compassionate Christ: Symbol of Reunion," "Reunion of Mother and Son," and "And He that Was Dead Sat Up."

We are always open to learning more about our collections and updating the website. We invite you to share your ideas, knowledge, and stories as they relate to the art in our collection. Contact us here.

Please note that this particular work might not be on view when you visit.
Don’t worry—we have plenty of exhibitions for you to explore.

The Violet Oakley Experience is funded by a generous grant from the Henry Luce Foundation.
For her expertise and scholarship on The Violet Oakley Experience, Woodmere thanks Patricia Likos Ricci. The foremost authority on Oakley, she is the Director of the Department of Fine Arts, Associate Professor of the History of Art, and a member of the Women and Gender Studies faculty at Elizabethtown College.
Woodmere’s website infrastructure and the digitization of the Museum’s collection are made possible by the generous support of Lisa Kabnick and John McFadden.