Home
/
art
/
the violet oakley experience
/
Title page for “The Family Solicitor: from time to time,” a collection of studies and portraits presented to Joseph Lester
Title page for “The Family Solicitor: from time to time,” a collection of studies and portraits presented to Joseph Lester

Title page for “The Family Solicitor: from time to time,” a collection of studies and portraits presented to Joseph Lester

,

Object Details

Title:
Title page for “The Family Solicitor: from time to time,” a collection of studies and portraits presented to Joseph Lester
Date:
1930
Artist:
Medium:
Pen and ink and graphite on paper
Dimensions
22 3/8 x 15 1/8 in.
Classification
Drawings-watercolors
Credit Line:
Gift of the Pennsylvania Academy of Fine Arts, 2015
Description

[top center in black ink]: To / Joseph Green Lester / Gratefully / inscribed / by / Violet Oakley, [Solicitee] /Cogslee / December 24th / 1930 / [design]Joseph Lester, a cousin of Elizabeth Shippen Green, was an attorney who helped Oakley and her friends lease the Red Rose Inn near Villanova. For his service, the women affectionately referred to Lester as their “Family Solicitor” and themselves as the “Lawful Heirs.” Lester remained Oakley’s attorney, financial adviser and friend until his death in 1938.

We are always open to learning more about our collections and updating the website. We invite you to share your ideas, knowledge, and stories as they relate to the art in our collection. Contact us here.

Please note that this particular work might not be on view when you visit.
Don’t worry—we have plenty of exhibitions for you to explore.

The Violet Oakley Experience is funded by a generous grant from the Henry Luce Foundation.
For her expertise and scholarship on The Violet Oakley Experience, Woodmere thanks Patricia Likos Ricci. The foremost authority on Oakley, she is the Director of the Department of Fine Arts, Associate Professor of the History of Art, and a member of the Women and Gender Studies faculty at Elizabethtown College.
Woodmere’s website infrastructure and the digitization of the Museum’s collection are made possible by the generous support of Lisa Kabnick and John McFadden.