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Wicker, Cyrus French

Wicker, Cyrus French

Works in Woodmere's Collection

Illustration study of Page [78] "The End of Slavery" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Page [78] "The End of Slavery" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Page [78] "The End of Slavery" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Pages [76] and [77] "Unity" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Pages [76] and [77] "Unity" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Pages [76] and [77] "Unity" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Page [75] "The End of Warfare" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Page [75] "The End of Warfare" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Page [75] "The End of Warfare" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Page [64] "Sanctuary in the Wilderness" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Page [64] "Sanctuary in the Wilderness" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]
Illustration study of Page [64] "Sanctuary in the Wilderness" for The Holy Experiment: Our Heritage from William Penn, 1644-1944 [Philadelphia: Cogslea Studio, 1950]

Related Commissions and Projects

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The Violet Oakley Experience is funded by a generous grant from the Henry Luce Foundation.
For her expertise and scholarship on The Violet Oakley Experience, Woodmere thanks Patricia Likos Ricci. The foremost authority on Oakley, she is the Director of the Department of Fine Arts, Associate Professor of the History of Art, and a member of the Women and Gender Studies faculty at Elizabethtown College.
Woodmere’s website infrastructure and the digitization of the Museum’s collection are made possible by the generous support of Lisa Kabnick and John McFadden.