Portrait of Italian Coloratura Soprano Amelita Galli-Curci

1918
Oakley, Violet

Object Details

TITLE:
Portrait of Italian Coloratura Soprano Amelita Galli-Curci
DATE:
1918
MEDIUM:
Pastel on paper
DIMENSIONS:
12 ½ x 8 in.
CREDIT LINE:
Museum purchase, 2014

On view

Frances M. Maguire Hall
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Description

Amelita Galli-Curci (1882–1963) was a celebrated Italian coloratura soprano, renowned for her pure tone, dazzling agility, and brilliant high notes. She studied at the Royal Conservatory of her native Milan and toured internationally to great acclaim. Fittingly, Oakley portrays Galli-Curci as an Italian Renaissance lady, potentially drawing inspiration from Sebastiano del Piombo’s portrait of (perhaps) the poet Vittoria Colonna. Galli-Curci inscribed her portrait with an exclamation of sisterhood for Oakley: “Per il sentimento fraterno che vi unisce alla mia Patria!” (“For the fraternal feeling that unites you with my homeland!”).

Violet Oakley was a leading American painter, muralist, illustrator, designer, writer, and advocate for world peace. Born in Jersey City, she came to Philadelphia to study at the Pennsylvania Academy of the Fine Arts (PAFA) with Cecilia Beaux and later at Drexel University with illustrator Howard Pyle. There, Oakley, Elizabeth Shippen Green, and Jessie Willcox Smith became known as the “Red Rose Girls,” living and working together with their companion Henrietta Cozens in Villanova and later Mount Airy, Philadelphia.

A central figure of the American Renaissance, Oakley sought the moral and spiritual renewal of American life through art. She gained national prominence with her 1906 murals for the Pennsylvania State Capitol, later completing suites for the Senate Chamber (1917) and Supreme Court Chamber (1927).

Oakley was also a dedicated advocate for racial and gender equality, social justice, and international cooperation. After World War I, she spent three years in Geneva painting delegates to the League of Nations, works that were published in the Philadelphia Evening Bulletin and in her portfolio Law Triumphant (1932).

In Philadelphia, Oakley helped found the Plastic Club, the Philadelphia Art Alliance, and the Plays and Players Theatre. Together with her life partner Edith Emerson, she strengthened Woodmere’s mission to celebrate the art and culture of Philadelphia.

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